{"id":59,"date":"2019-11-04T13:58:21","date_gmt":"2019-11-04T13:58:21","guid":{"rendered":"https:\/\/urwyler-hansueli.ch\/?page_id=59"},"modified":"2021-09-22T13:30:30","modified_gmt":"2021-09-22T13:30:30","slug":"kritiken","status":"publish","type":"page","link":"https:\/\/urwyler-hansueli.ch\/index.php\/kritiken\/","title":{"rendered":"Kritiken"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Kritiken<\/h2>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"200\" height=\"300\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/La_poesie_Bronze_25x18x22_2011-200x300.gif\" alt=\"\" class=\"wp-image-201\"\/><figcaption>&#8222;La po\u00e9sie&#8220;; Bronze; 25x18x22cm; 2011<\/figcaption><\/figure><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Stefan Biffiger, Kunsthistoriker, Wohlen\/Bern 2001<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Ausgehend von wirklichen Landschaften und von Zeichnungen und Aquarellen, die er vor der Natur hergestellt hat, kommt er in seinen  grossformatigen Acrylbildern zu beinahe abstrakten Formgebilden von erstaunlicher Dichte und Stringenz.                                                                             Die vereinfachte Positiv\/Negativ-Form des Motivs ger\u00e4t durch die Wirkung der k\u00fchlen Farben gar ins Flimmern; diese Bewegung umfasst das ganze Bild:  Stark verinnerlichte K\u00f6pfe mit geschlossenen Augen bilden einen wichtigen Teil seiner Skulpturen; sie weisen mehr oder weniger realistische Z\u00fcge auf: gemeinsam ist auch ihnen das Geheimnisvolle, das Mystische, das hinter ihrem Antlitz verborgen ist, und ihnen allgemeing\u00fcltige menschliche Gr\u00f6sse verleiht. <\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Dr. Claus-Peter B\u00f6hner, Ausstellungsleiter, Mannheim, 2002<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;art de Hansueli Urwyler a doncun message: En appelant aux sentiments et \u00e0 la raison des spectateurs, en touchant le plus profond du public et en sensiblisant simultan\u00e9ment avec ses peintures et sculpture, l&#8217;artiste nous fait voyager, c&#8217;est son voyage \u00e0 travers temps et espace. C&#8217;est comme il tient un miroir devant nous pour nous dire: Concentrez toujours \u00e0 l&#8217;essentiel!  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> <\/p>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/JUnge_FRau_Pastell_47x39_1997-238x300.gif\" alt=\"\" class=\"wp-image-204\" width=\"194\" height=\"244\"\/><figcaption>&#8222;Junge Frau&#8220;; Pastell; 47x39cm; 1997<\/figcaption><\/figure><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Fabian Meier, Kunsthistoriker, 2010<\/h4>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Kritik_Meier510.gif\" alt=\"\" class=\"wp-image-62\" width=\"792\" height=\"406\"\/><figcaption><br><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"239\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Skulptur-23-2-300x239.gif\" alt=\"\" class=\"wp-image-207\" srcset=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Skulptur-23-2-300x239.gif 300w, https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Skulptur-23-2-768x612.gif 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption>&#8222;Ruhende Frau&#8220;; Bronze; 17x18x22cm; 1994<\/figcaption><\/figure><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Andrea Hill for NY Arts, 2002<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Urwyler has a strong sense of balance. His direct style and <br>simplified forms keep his symbolism grounded in something <br>fundamental &#8211; in the way humans understand and adapt to their <br>surroundings. A photograph of an installation from 1995 showing a <br>triangular form placed into a vist of mountain peaks well shows <br>Urwyler to be an artist in the tradition of observation and <br>contemplation. <\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Dr. phil. Erasmus Weddingen, Kunsthistoriker, Bern, 2012<\/h4>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Kritik_Weddigen512.gif\" alt=\"\" class=\"wp-image-64\" width=\"771\" height=\"332\"\/><\/figure>\n\n\n\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"249\" height=\"300\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/junge_frau_Pastell_46x38_1997-249x300.gif\" alt=\"\" class=\"wp-image-218\"\/><figcaption>&#8222;Junge Frau&#8220;; Pastell; 46x38cm; 1997<\/figcaption><\/figure><\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Lia Ciatto, Accademica Severio de Milano, 2007 <\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Molte altre opere eseguite attraverso cromie forti e ben determinate, tratteggiano un discorso lirico e onirico al tempo stesso e s\u00ec inseriscono in un filone d&#8217;arte contemporanea in cui il colore ha il sopravvento sul segno e riesce a caratterizzare l&#8217;insieme di un discorso che a volte diventa metaiscio\/concettuale&#8230;&#8216; <\/p>\n\n\n\n<h4 class=\"wp-block-heading\"> Martin Bieri, \u201cDer kleine Bund\u201d, 16.12.2016 <\/h4>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Kritik_Bund55537.jpg\" alt=\"\" class=\"wp-image-61\" width=\"536\" height=\"215\" srcset=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Kritik_Bund55537.jpg 433w, https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2019\/11\/Kritik_Bund55537-300x121.jpg 300w\" sizes=\"auto, (max-width: 536px) 100vw, 536px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\"> Dino Maras\u00e0, 2010, Ausstellung in Palermo  <\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"275\" src=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2021\/09\/Kritik_Italien-1024x275.jpg\" alt=\"\" class=\"wp-image-325\" srcset=\"https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2021\/09\/Kritik_Italien-1024x275.jpg 1024w, https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2021\/09\/Kritik_Italien-300x81.jpg 300w, https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2021\/09\/Kritik_Italien-768x207.jpg 768w, https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2021\/09\/Kritik_Italien-1536x413.jpg 1536w, https:\/\/urwyler-hansueli.ch\/wp-content\/uploads\/2021\/09\/Kritik_Italien-2048x551.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Kritiken Stefan Biffiger, Kunsthistoriker, Wohlen\/Bern 2001 Ausgehend von wirklichen Landschaften und von Zeichnungen und Aquarellen, die er vor der Natur hergestellt hat, kommt er in seinen grossformatigen Acrylbildern zu beinahe abstrakten Formgebilden von erstaunlicher Dichte und Stringenz. Die vereinfachte Positiv\/Negativ-Form des Motivs ger\u00e4t durch die Wirkung der k\u00fchlen Farben gar ins Flimmern; diese Bewegung umfasst &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/urwyler-hansueli.ch\/index.php\/kritiken\/\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eKritiken\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry","entry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":22,"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":326,"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/pages\/59\/revisions\/326"}],"wp:attachment":[{"href":"https:\/\/urwyler-hansueli.ch\/index.php\/wp-json\/wp\/v2\/media?parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}